Most step sequencers let you set the length of the sequence to a value other than eight or sixteen steps. Or use one row to program a series of notes and a second row to add accents to certain notes. You can use these outputs for playing chords, for example. Some step sequencers have several rows of knobs, with an output for each row. But there are many variations on the theme. The row of knobs could control pitch, thereby producing notes, or some other sound parameter.īasic sequencers of this type are still found in many of today’s modular synth systems. A knob for each step in the sequence dictated the voltage level of that step. ![]() The output was in the form of an analog control voltage. The first sequencers had rows of knobs, and each knob could be set to some arbitrary value. I like to spice up my step sequences with a few variations.Įven the word notes in the description above is a bit too cavalier. To be honest, I never found this type of music (a form of minimalism) very interesting. And repeat again, and again, and again.Įarly synth groups like Tangerine Dream used step sequencers to create endless psychedelic soundscapes. When it finished the series, it would repeat. ![]() The sequencer would step through a series of notes, usually eight or sixteen of them, one at a time. The first sequencers, however, were simple devices. Today we have sophisticated MIDI sequencers that will do just about anything you might imagine. We have two ways to do this: with recorded audio, and by sequencing. ![]() ![]() Sometimes, though, you want to set up a pattern on a machine, sit back, and let the machine play the music for you. Playing music with our hands, feet, and breath is a wonderful thing. Automate your modular system with step sequencers.
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